Tag Archives: alien

Collaborative Alien Project: Who Are We?

Got my little butt into gear and finally plucked up the courage to ask Grant Herron (a fellow Jewellery student) about possibly collaborating as I heard he was into Film props. He was well up for it surprisingly so we went ahead and got started a couple of weeks later.

We decided to take our own interpretation on a Sci-Fi Film ‘Alien’ by Ridley Scott. Both of us thought we should create some kind of arm piece. Grant, being more experienced in electronics, designed the upper arm which consisted of small LEDs, a small rotating satellite dish and hinged parts. This is what I also wanted to learn from him. For me, well I went all out making a silicone corset forearm piece (as I’d never really played with the material before but was very keen to), a prosthetic glove with ribbed tubes and long hinged creepy fingers, all made from latex of course.

As we were both passionate about film, we discussed perhaps making a short film which would be able to present our piece on the body, moving and electronics in operation. For that we would need a storyboard:

My buddy filling in the storyboard

Here are photos from the making of our pieces:

Grant’s upper arm piece in the making. The circular piece with small tubes protruding from (right of picture) is the joint so I can allow movement like bending my elbow.




The satellite Grant made. Also some LED lights you were able to turn off and on.

This sequence of photographs is me attaching my prosthetic latex glove using Pros Aide glue. You can only really glue prosthetics in stages to make sure you have glued it on properly.

Still loose flapping bits of latex.

After repeatedly applying the glue all the latex should be attached to the skin with no loose parts.

Here is the whole of my lower arm piece put on. The fingers are divided into 3 and there are 2 hinged joints on each finger so they can move. The finger tips are square copper wire soldered together and I have created clear latex windows on each so light can pass through.

Below this you can see tubes extending down from the knuckles which are made from latex and copper wire and lastly the piece on the forearm is made from silicone.

The Silicone Piece

I had to create a mould in plaster to cast the silicone in. It is very weird and squishy to touch which I thought went well with the nature of this project.

The Facial Prosthetics

Just experimenting where it looks best. I thought it would look good to exaggerate the cheekbone.

Samples of prosthetics. They kind of look like slugs to me.

Attached only using the prosthetic glue. You can still see that the edges have not been blended with the skin but that comes next.

The beginning of the blending process… but you can see that later!

Here is me and Grant and a few other helpers on the set just setting and cleaning it up.

Day time

Night time

My 20th time trying to put in contacts

Final Make-up

Midnight on the set. So so cold! Kept my dressing gown on as long as possible!

Just altering a wee bit

Final arm in the dark

Movie making in process

One of the Stop Motion pictures

Final scene

Such a good experience. Think we’ll be collaborating again for our final year as I think it is good practice for the future. You can learn a lot from each other and take things a step further. For me, I want to go into Prosthetics as I see it diminishing due to Computer Aided Graphics (CGI). Yes it can be extremely useful for big things but with it, you lose that sense of actually holding and feeling the object as it is all done on computer. Some makers use it because they are just being lazy and it saves time, but some actually use it for good purpose. For instance, in The Matrix when Neo dodges the bullets, that is a good example of well-used CGI.

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , ,

Sea Anemone Project

My family are all scuba divers. I love being under the water it’s such a magical place! Feel like a mermaid. It’s brilliant. When I’m under I usually tend to touch things. It’s tempting when there’s colourful little feathery crawlies and wobbly jellies. Once, I got so into it I actually rubbed my face against a sea anemone and it ended up stinging me all over! Ouch. Yes – tip for today: maybe don’t touch things when you haven’t got a clue what it is. Following on from that, I based this project on sea anemones.

They are amazing underwater jellies that possess long wobbly tentacles which wave with the tide. Their colours are vibrant and can usually in groups competing for light just like land plants would do. I really wanted to capture this sense of cluster growth and bright colour, in addition to their strange jelly quality. Here are some of my sketches illustrating their bulbous forms, colour and alien-like features. Be prepared, some of them can be a bit… well, a bit suggestive in shape.

The last picture was my first sample in which I created 3-dimensional crevasses and little hints of colour. I was very pleased with the result as allowed me to think of all kinds of shapes –  the possibilities seemed endless! I even got excited about colour as you will see in my more developed samples below.

Once I got the hang of creating colourful alien-like forms. I tried envisioning pieces on the body. I took inspiration from the designers Lucy Mcrae & Bart Hess and Mi-Mi Moscow. They are both collaborative designers who make creative pieces adorned uniquely on the human form. I like adorning the body in unusual ways because I like morphication and changing the normal shape of the body. Almost like transforming people into underwater creatures themselves. This was my idea.

I wanted to emphasise growth and re-creating the human form. My final outcomes are a mix between final photographs and pieces, aimed to capture unfamiliar shapes and strange alterations to the body.

For my first solution I attached anemone tentacles to the ends of fingers – changing the length and proportion of the fingers to the rest of the body.

Next I created a simple ring with which protrude rather suggestive tentacles. I liked the contrast of the smooth reflective metal to the rubbery matt texture of the latex. The benefits of this ring is you can put on your jacket without worrying about the tentacles breaking off as they are extremely flexible.

Finally I transformed the shape of the back into a kind of extending dorsal fin. Little anemone branches sprout from the surface down the spine as if they were spreading. Long roots stretch across the back to stress this idea of hosting and the ‘taking-over’ of the body.

Next I’ll be looking at making luminescent creatures and incorporating bits of wire to make them look more intricate and delicate. Thanks for checking out some of my work!


Tagged , , , , , , , , , , , , , , , , , , , , ,